Here are a few anthologies and collections that I’m looking forward to reading in 2011.
What should I add to my list?
Being Human, edited by Neil Astley (Bloodaxe)
Catulla et al, Tiffany Atkinson (Bloodaxe)
Neptune Blue, Simon Barraclough (Salt)
The Tempest Prognosticator, Isobel Dixon (Salt)
Egg Printing Explained, Katy Evans-Bush (Salt)
Occasional China, Gaia Holmes (Comma Press)
Rubber Orchestras, Anthony Joseph (Salt)
The Book of Men, Dorianne Laux (W W Norton)
The Best British Poetry 2011, edited by Roddy Lumsden (Salt)
The Frost Fairs, John McCullough (Salt)
The Exile’s House, Ian Parks (Waterloo Press)
Emporium, Ian Pindar (Carcanet)
Changeling, Clare Pollard (Bloodaxe)
Breaking Silence, Jacob Sam-La Rose (Bloodaxe)
The Kitchen of Lovely Contraptions, Jacqueline Saphra
(Flipped Eye)
The Itchy Sea, Mark Waldron (Salt)
Confer, Ahren Warner (Bloodaxe)
Electric Shadow, Heidi Williamson (Bloodaxe)
House of Tongues, Susan Wicks (Bloodaxe)
The City with Horns, Tamar Yoseloff (Salt)
Tag Archives: Roddy Lumsden
A poetry list
I thought I’d share a few poetry titles I’m looking forward to reading this year. Some have recently been published, some are not yet available. If you’re interested in buying copies online, do make a note of their publication dates or ask your online book store to let you know when they become available.
Four of the poets are relatively new to me – Elisabeth Bletsoe (Pharmacopoeia & Early Selected Works), Mary O’Donnell (The Ark Builders), Carolyn Jess-Cooke (Inroads) and Anna Robinson (The Finders of London) – and I’m looking forward to becoming better acquainted with their work.
I greatly enjoyed Naomi Foyle’s bold, imaginative and sensuous collection, The Night Pavilion, and am looking forward to her pamphlet, Grace of the Gamblers – A Chantilly Chantey (Waterloo Press), illustrated by Peter Griffiths.
Philippa Yaa de Villiers’s second collection The Everyday Wife, published by the intrepid South African women’s publisher Modjaji Books, follows her popular first collection, Taller than buildings. As a poet living in South Africa, I’d like to mention how proud I am of the strong, beautiful books sent into the world by Modjaji.
Helen Ivory’s The Breakfast Machine (Bloodaxe), Pascale Petit’s What the Water Gave Me – Poems after Frida Kahlo (Seren), Katie Donovan’s Rootling (Bloodaxe) and Penelope Shuttle’s Sandgrain and Hourglass (Bloodaxe), have been long awaited. Their previous collections – The Dog in the Sky (Ivory), The Treekeeper’s Tale (Petit), Day of the Dead (Donovan) and Redgrove’s Wife (Shuttle) – are favourites and occupy the top shelf of my poetry bookcase.
Edited by Bernardine Evaristo and Daljit Nagra, Ten: New Poets from Spread the Word (Bloodaxe) will be available later this year. The anthology aims to reflect “the multicultural make-up of contemporary Britain” and to showcase the work of talented poets such as Mir Mahfuz Ali, Rowyda Amin, Malika Booker, Roger Robinson, Karen McCarthy, Nick Makoha, Denise Saul, Seni Seniviratne, Shazea Quraishi and Janet Kofi Tsekpo.
Identity Parade: New British & Irish Poets, also published by Bloodaxe and edited by Roddy Lumsden, promises to be a feast. I hope, as I’m typing this, my copy is winging its way south from the United Kingdom.
Identity Parade includes poetry from Patience Agbabi, Jonathan Asser, Tiffany Atkinson, Simon Barraclough, Paul Batchelor, Kate Bingham, Julia Bird, Patrick Brandon, David Briggs, Andy Brown, Judy Brown, Colette Bryce, Matthew Caley, Siobhan Campbell, Vahni Capildeo, Melanie Challenger, Kate Clanchy, Polly Clark, Julia Copus, Sarah Corbett, Claire Crowther, Tim Cumming, Ailbhe Darcy, Peter Davidson, Nick Drake, Sasha Dugdale, Chris Emery, Bernardine Evaristo, Paul Farley, Leontia Flynn, Annie Freud, Alan Gillis, Jane Griffiths, Vona Groarke, Jen Hadfield, Sophie Hannah, Tracey Herd, Kevin Higgins, Matthew Hollis, A.B. Jackson, Anthony Joseph, Luke Kennard, Nick Laird, Sarah Law, Frances Leviston, Gwyneth Lewis, John McAuliffe, Chris McCabe, Helen Macdonald, Patrick McGuinness, Kona Macphee, Peter Manson, D.S. Marriott, Sam Meekings, Sinéad Morrissey, Daljit Nagra, Caitríona O’Reilly, Alice Oswald, Katherine Pierpoint, Clare Pollard, Jacob Polley, Diana Pooley, Richard Price, Sally Read, Deryn Rees-Jones, Neil Rollinson, Jacob Sam-la Rose, Antony Rowland, James Sheard, Zoë Skoulding, Catherine Smith, Jean Sprackland, John Stammers, Greta Stoddart, Sandra Tappenden, Tim Turnbull, Julian Turner, Mark Waldron, Ahren Warner, Tim Wells, Matthew Welton, David Wheatley, Sam Willetts, Samantha Wynne-Rhydderch and Tamar Yoseloff.
Are there any anthologies and collections you’re particularly looking forward to getting your hands on this year?
I’d love to hear what’s on your list.
Identity Parade: New British & Irish Poets,
edited by Roddy Lumsden (Bloodaxe Books)
Pharmacopoeia & Early Selected Works,
Elisabeth Bletsoe (Shearsman Books)
The Ark Builders, Mary O’Donnell
(Arc Publications)
Inroads, Carolyn Jess-Cooke
(Seren Books)
Grace of the Gamblers, Naomi Foyle
(Waterloo Press)
The Finders of London, Anna Robinson
(Enitharmon Press)
The Everyday Wife, Philippa Yaa de Villiers
(Modjaji Books)
The Breakfast Machine, Helen Ivory
(Bloodaxe Books)
Rootling, Katie Donovan
(Bloodaxe Books)
What the Water Gave Me – Poems after Frida Kahlo,
Pascale Petit (Seren Books)
Ten: New Poets from Spread the Word,
edited by Bernardine Evaristo and Daljit Nagra
(Bloodaxe Books)
Sandgrain and Hourglass, Penelope Shuttle
(Bloodaxe Books)
Some Favourite Poetry Collections of 2009: Part One
I hope you will enjoy these recommendations and consider buying a few collections, pamphlets and anthologies published this year by a range of presses. A huge thank you to the poets who gave me their choices for the year.
What’s your favourite volume of 2009? Feel free to include your recommendations in the comments section.
Moniza Alvi
Natural Mechanical by J O Morgan (CB Editions)
Cold Spring in Winter by Valérie Rouzeau, translated by
Susan Wicks (Arc Publications)
Continental Shelf by Fred D’Aguiar (Carcanet Press)
Ian Duhig
Rain by Don Paterson (Faber & Faber)
Grain by John Glenday (Picador)
Voice Recognition: 21 Poets for the 21st Century, edited by
Clare Pollard & James Byrne (Bloodaxe Books)
Sheenagh Pugh
How to Fall by Karen Annesen (Salt Modern Poets)
The Men from Praga by Anne Berkeley (Salt Modern Poets)
A Village Life by Louise Glück (Farrar, Straus & Giroux)
Dorianne Laux
End of the West by Michael Dickman (Copper Canyon Press)
Cradle Song by Stacey Lynn Brown (C&R Press)
Snowbound House by Shane Seely (Anhinga Press)
Alison Brackenbury
Rain by Don Paterson (Faber & Faber)
Nothing Like Love by Jenny Joseph (Enitharmon Press)
Samuel Menashe: New and Selected Poems (Bloodaxe Books)
Clare Pollard
Caligula on Ice and Other Poems by Tim Turnbull (Donut Press)
Third Wish Wasted by Roddy Lumsden (Bloodaxe Books)
Farewell My Lovely by Polly Clark (Bloodaxe Books)
Tamar Yoseloff
The Men from Praga by Anne Berkeley (Salt Modern Poets)
How to Fall by Karen Annesen (Salt Modern Poets)
Beneath the Rime by Siriol Troup (Shearsman Books)
The Clockwork Gift by Claire Crowther (Shearsman Books)
Annie Freud
Rain by Don Paterson (Faber & Faber)
Furniture by Lorraine Mariner (Picador)
Faber New Poets: Heather Phillipson (Faber & Faber)
John Wilkinson
Stress Position by Keston Sutherland (Barque Press)
Weak Link by Rob Halpern (Slack Buddha Press)
Clampdown by Jennifer Moxley (Flood Editions)
Marilyn Kallet
Practical Water by Brenda Hillman (Wesleyan Poetry)
Warhorses by Yusef Komunyakaa (Farrar, Straus & Giroux,
paperback)
Sassing by Karen Head (WordTech Communications)
Roddy Lumsden interview: Poetry, Kate and me
“Of all the things one might expect to discuss over coffee with a Scottish (male) poet, couture dresses are not among them. But then not many Scottish (male) poets have spent time on a fashion shoot with Kate Moss.
Roddy Lumsden, however, was asked by top photographer Nick Knight to be a kind of poet-in-residence while he shot Moss in statement couture dresses for New York’s V Magazine. London-based Lumsden was to write several poems for Knight’s website, picking up on the theme of the shoot – wild flowers. One of them, “Bloom”, would be read by Moss herself.”
Read Susan Mansfield’s interview with Roddy Lumsden in The Scotsman here.